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The doctor gives Grand credit for being a man of feelings. Richard, the telephoned colleague of Dr. Rieux, exhibits an oft-used approach of intellectuals toward problems. People either have intercourse much as robots might, or they go about it animal-like — all this, he says because they lack time and thinking. Camus was not, however, to faithfully render Oran much further than geographically locating it for the reader. In April, thousands of rats stagger into the open and die. Rieux is arguing from a distance, from scenes he witnessed on the city's outskirts, and here his opinions are so contrary to most of those assembled that he might seem absurdly radical in his insistence. Perhaps, it is hoped, the plague will then take care of itself. Societies too often contain hypocrisy and jealousy; there is seldom honesty and directness. In spite of their greed and thrift, there are no millionaires in the city, there are no artists of repute, no statesmen or politicians — there is actually no one known outside the city walls. Their lives were strictly regimented by an unconscious enslavement to their habits. Camus refutes this armchair attitude; he characterizes the town as filled with bored people, people who have cultivated habits, people whose chief interest is "doing business." In earlier works—notably the play Caligula (pb. In addition, Camus is striving for an esthetic distance between the reader and the novel which will keep the reader an observer. He even admits that his heart responds whenever he recalls his deceased parents. In social waters, swimming is done blindly. But he is not alone. Exile and the Kingdom; Battle Against Crisis at the Conclusion of The Plague; Ideological Tenacity in The Plague; The Absurd and the Concept of Hope in Camus's Novels; The Plague as Double Allegory The man is a coward, afraid of indiscreet remarks, and is actually very frightened of Rieux's charges of epidemic. This study guide and infographic for Albert Camus's The Plague offer summary and analysis on themes, symbols, and other literary devices found in the text. Referring once more to Oran's position on the sea, he says that it is humped "snail-wise" on the plateau. It is only when they are separated by quarantine from their friends, lovers and families that they most intensively love them. The atmosphere is as oppressive as a sickroom. From the title, you know this book is about a plague. His defense is with a semantic shield. Camus seems, then, to be creating a society of habit-oriented people in order to confront them with death in its most horrible form — the plague. This idea of not wasting time and of infusing the utmost consciousness into the present moment is an important existential tenet. Only old Dr. Castel says matter-of-factly that plague is their visitor. This is, in a sense, what Camus is doing in the opening scenes of The Plague. When a mild hysteria grips the population, the newspapers begin clamoring for action. The chapter ends with Rieux hesitating before he actually acknowledges, pronouncing the words, that this is indeed plague which is beginning to devour Oran. On the surface, The Plague is a realistic description of how society reacts to a deadly epidemic: Starting with the authorities’ inevitable denial and followed by hastily convened containment measures, panic buying, shameless profiteering and public discontent, the disease also brings out the very best in people, leading to extraordinary acts of human kindness and solidarity. But what comes out of his mouth? Leaving Grand, Rieux tends more patients. Cleanliness is to be observed. Once more, as a point of reference, Camus' earlier fictional character of Meursault won't ask for a transfer; neither does Grand ask for salary raises or advancements. The plague is just one incarnation of death, which is an omnipresent “collective disaster,” so the hierarchies were basically absurd before the plague as well. Considering now Chapter 3, we find yet another kind of "package" chapter than either I or 2. Camus has often been characterized as a godless Christian, meaning that he expounds all the Christian virtues, but only in terms of man. He tosses semantics to the timid-tongued doctors. Its death-dealing powers are so enormous that his imagination fails to respond to the figure of a hundred million deaths, a figure he reckons as the historical toll of plague. Because he did not believe in God or an afterlife, Camus held that human beings, as mortals, live under an inexplicable, irrational, completely absurd death sentence. His coming-to-terms with whatever has invaded Oran must be accomplished soon, but with reason and observation. The emphasis on the habits which have been formed and cultivated by the "soulless" people of Oran are significant. eNotes plot summaries cover all the significant action of The Plague. The reality is like a bad dream — absurd. His role will enlarge as the story develops. And a snail's shell of indifference and ignorance is hiding the townspeople and even Rieux's colleagues from the truth. But because he shows little concern for the rats, but is sufficiently fascinated by Oran to record its idiosyncrasies, he is excellent for Rieux's purpose — a substantiation in presenting as accurate a picture as possible about the first days of the plague. His stand concerning the seriousness of the plague is important because he is the self-deceiver, one of the safest — and most despicable — of roles. And, if up to now he has been one step ahead of the townspeople in conscientiously trying to isolate and arrest this mysterious virus, he has never completely stopped and considered the panorama of torment which will be in store for the prey of the plague. While reading this novel, one should remember that Camus has an initial prerequisite for an understanding of his philosophy of the absurd: a realization and recognition of the fact of one's own death. He hopes to tell his story authentically, directing the narrative to our intellect and our imagination rather than to our heart strings. The Plague is a novel written by Albert Camus, an ultimately bleak story about a terrible illness that swept through an unprepared town. Use up and down arrows to review and enter to select. Cottard's character now takes on greater significance. Again, as in Chapter 1, he uses an extreme contrast — here, to point to the absurdity of the symptoms: rats can't be seeping out of houses and sewers for a reason — rats' deaths can't be beautiful. the doctor's several instances of demonstrated humanity are now even more clearly emphasized. The rats, they say, are disgusting, obnoxious, and a nuisance. The Plague study guide contains a biography of Albert Camus, literature essays, quiz questions, major themes, characters, and a full summary and analysis. In the relaxingly furnished quarters of a municipal official, amid a background of professional-sounding doctors and their medical jargon, one is far from the bloody pus pockets of the city. Holed up in his room, he pours over volumes of philology. The reader should also remember that the book is not, per se, a novel; the volume is a chronicle, and thus we should not expect avant garde or impressionistic devices — nothing except, as nearly as possible, a factual account of a plague and the people affected. Rieux admits that he is afraid. In fact, Camus says later that the rats were coming out in long swaying lines and doing "a sort of pirouette." Language is living. Albert Camus’ ‘The Plague’ and the Philosophy of Suffering, 2007. So that the book will not have a one-viewpoint narrative, the author of the chronicle offers the notebooks of — not an Oranian — but those of an outsider, Jean Tarrou. He is announcing the deaths of many people, common people, and as spectators, we will wait, watch, hear, and perhaps learn from the consequences of the everyday Oedipuses and Creons of Oran — citizens warned again and again of their fate to die, yet who choose to be unbelieving, antagonistic, and indifferent to the warning. Albert Camus’s novel The Plague is set in Oran, a French port on the Algerian coast in the 1940s. He is sure that he is a good neighbor, but is he? This inconsequentiality, however — isn't this, in a broad sense, definitive of Oran? Only once in his notebooks does Tarrou add a comment after his scraps of reportage. This chapter also provides a fuller treatment of the character of Grand. Why, then, would he come to Oran? The tragedy of a plague is announced in the book's title. The Plague by Albert Camus Analysis (I) “The only picture I carried away with me of that day’s proceedings was a picture of the criminal. Modern antibiotics are effective in treating it. One knows what he encounters when he swims. Rieux is futilely attempting a professional search for the truth. Camus' The Plague is an uncannily prescient description of the world of COVID-19, giving us reasons for reflection, and finally for hope. Here also we know in advance the horrible fate in store for the characters, and we watch as the scenes unfold the familiar fate and the agony of, say, Oedipus or Creon. Removing #book# Explore Course Hero's library of literature materials, including documents and Q&A pairs. The situation of the rats may or may not be considered "normal," he says. And, in his quiet way, Camus is also using satire. He merely replied "a secret grief," and refused to look at the officer. These papers were written primarily by students and provide critical analysis of The Plague. Before leaving this chapter, there are two more incidents of credit for the doctor. Camus, however, had good reason for beginning his work with just such a contrast. Characterization in Albert Camus’ ‘The Plague’ and Samuel Beckett’s ‘Waiting for Godot.’ His result has the tone of precision — much the same as Truman Capote's nonfiction novel In Cold Blood. He sees them as pitiful, and universal, dupes of illusion. Perhaps because he is so near death himself, he enjoys with relish the instinctive feeling that he will not die alone but with numerous companions. He wonders about wasting time, for example, and his present answer is "by being fully aware of it," one does not waste it. It describes the bloated corpse of a rat. Irritated that Dr. Richard would sarcastically accuse him of having proven the disease to be plague, Rieux insists that he has not proven plague. Recognition of bottomless death makes a habit-bound life even more absurd. This minute — now — this is what matters. The Plague, on the other hand, is more satisfying on the literal level because of its specifically placed setting, and, in addition, the literal level has more concern for the human condition than, say, the literal level of Gulliver's Travels. Albert Camus's The Plague Plot Summary. In this sense, man is sacred, but absurdly sacred; he may die in any moment, just as love may disappear within a moment. It is bound, perhaps even strangling itself, with habits. The reader must here see Grand against the background described earlier. Once they do become aware of it, they must decide what measures they will take to fight the deadly disease. (There was a monthlong outbreak in Oran in 2003.) Albert Camus's novel The Plague is about an epidemic of bubonic plague that takes place in the Al-gerian port city of Oran.When the plague first arrives, the residents are slow to recognize the mortal danger they are in. Rieux is also convinced that the victims of the unidentified fever should be put in isolation, yet he is stopped because of his colleagues' insistence that there is no definite proof that the disease is dangerously infectious. He becomes loquacious, companionable, and extroverted, delighting in how others now feel how he felt—frightened, oppressed, anxious. He is somewhat of an oddity in Tarrou's album of sketches. Web. The first-person narrator is unnamed but mostly follows Dr. Bernard Rieux. Even the population seem indifferent as they perform their habitual, meaningless gestures. He is still in vague, unbelieving awe, as if the word had barely left his open mouth. Explore Course Hero's library of literature materials, including documents and Q&A pairs. And yet The Plague ultimately makes for edifying reading in this time of quarantine. The citizens of Oran become prisoners of the plague when their city falls under total quarantine, but it is questionable whether they were really "free" before the plague. The plague in question afflicted Oran in the 1940'2; and on one plane the book is a straightforward narrative. The citizens of Oran become prisoners of the plague when their city falls under total quarantine, but it is questionable whether they were really "free" before the plague. Usually soft is associated only with pleasant sensations, but here it is used in reverse. This impression is now modified. Non-American Author Research: The Plague by Albert Camus The Plague by Albert Camus is a novel that forms themes around human suffering, greed, and religion. (Camus 44) Rieux stays, faces his fear of death, and stays altruistic to fill the duty of being a doctor. For example, Dr. Rieux feels something "soft" under his foot. In any case, the reader should note that Camus does not single out lovers clinging together during a plague situation to snare his readers' attention. Being poor, Grand is not charged for the doctor's visits. As a natural and symbolic backdrop the sea, with its unbound waves, is an ever-present, ominous comment on the action. The Plague, or La Peste in its original French, is a novel written by philosopher/writer Albert Camus in 1947. Camus, however, had good reason for beginning his work with just such a contrast. In his 1947 novel, The Plague, Albert Camus tells the riveting story of the quarantined city of Oran, Algeria, that suffers a vicious outbreak of the plague.The plague increasingly and randomly kills the young and the old, the rich and the poor. When the garbage cans begin filling with rats, he telephones the sanitation department — a businesslike and correct way to deal with the situation. The Plague literature essays are academic essays for citation. Rieux is a doctor; throughout the book, he doctors. He takes particular delight in regularly watching an old man coax cats beneath his balcony then, ecstatically, spitting on them. She'll decide the importance of this unpleasant talk about rats when need be. Ironically, Rieux remarks, just such insignificant people often escape plague. Jean Tarrou, on the other hand, is intrigued. Just as any rebellion against death and suffering is ultimately futile, so do the anti-plague efforts seem to make little difference in the relentless progress of the epidemic. First, Rieux considers Grand's occupation as clerk. Close identification, a major objective for most fiction authors, is to be avoided because emotional involvement will keep us from seeing the book as, at least, a three-dimensional allegory. He has considered, speculated, yet returned to his familiar role of the dedicated, commonsense doctor. of being alone? Even with Rieux, on their way to the laboratory, he suddenly dashes away to spend the evening with his bookish project. Only then can they perform responsibly and efficiently. His try at imagining the annihilation of five movie houses of people is an attempt to arrive at something concrete and meaningful. The Prefect, or local magistrate, must be dealt with. The ganglia deaths are not even mentioned, and a certain knowing cynicism about journalists' reporting only what happens in the streets — not behind closed doors — reveals Camus' ever serious concern with truth. This particular plague happens in a Algerian port town called Oran in the 1940s. In the 14th century, the bubonic plague, also known as the “Black Death” killed almost a third of the Complete summary of Albert Camus' The Plague. Camus and The Plague. It is Tarrou who will supply the details to fill in the broader narrative outlines of Rieux. The book, after all, is an allegory, but becomes more successful in all its levels partly because of its existent geographic setting. By Ivan Spencer. Once they do become aware of it, they must decide what measures they will take to fight the deadly disease. The narrator's insistence on the book's objectivity stresses his wish to present the truth, as nearly as possible. CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. He describes the blood puddles around their noses as looking like red flowers. She survives. Tarrou's suggestion that one might profitably remain on a balcony during a Sunday afternoon is reminiscent of what Meursault of Camus' The Stranger does on Sunday afternoon — watching, looking, seeing. There are numerous articles written in popular magazines satirizing our culture as mechanistic and materialistic. Analysis Of Albert Camus 'BookThe Plague' 1424 Words | 6 Pages. Grand struggles over perfecting the beginning of a manuscript. Camus' philosophy is an amalgam of existentialism and humanism. There is more, though, to Tarrou than a seemingly morbid curiosity. In the early days of the epidemic, the citizens of Oran are indifferent to one another's suffering because each person is selfishly convinced that his or her pain is unique compared to "common" suffering. Word games are ridiculous now. He has simply seen something as deadly as plague with epidemic proportions. It is at this point that one should revolt against his stultifying pattern of living. While The Plague is a tale of absurdist philosophy, it is also a novel with living characters and a deeply human story, and Camus’ writing is potent in its imagery of suffering, despair, and courage. It asks a number of questions relating to the nature of destiny and the human condition. By Sean Illing @seanilling Jul 22, 2020, 10:10am EDT He muses on the dimensions of Grand's character — measurements which are unexceptional, but important in their implications. © 2020 Houghton Mifflin Harcourt. Note: This is a summary and analysis of The Rebel and not the original work.The Rebel is a 1951 book-length essay by Albert Camus, which treats both the metaphysical and the historical development of rebellion and revolution in societies, especially Western Europe. Again, this is a marvelous sort of endeavor, but the result will be too perfect. Where Tarrou has come from is a mystery, but after several days of minute observation of the city, he writes: "At last!" Thus, it seems as though he is searching for an endpoint or goal of some sort — and has found it in Oran. The Plague Summary. It is the story of a plague epidemic in the city of Oran in the 1940's and tells of the individual destinies of some of its inhabitants, who all react to the situation in a different way. The emergency measures are insufficient. Shortly thereafter, when a rat comes from the sewer it is described as spinning on itself with a little squeal, a sort of miniature ballet before death. Still considering his setting, note that Camus has done two things with Oran as a stage for his chronicle. Now, when the plague is eroding the town's edges, he has a new surge of life. Camus does not slide him into a pivotal part to be an obvious mouthpiece for any heroics of philosophizing or, for that matter, any other kind of typical heroics. Camus delineates some of the manifestations of a guilty conscience, but does not yet answer all the why's of Cottard's behavior. At last word comes from the head of officialdom — Rieux's efforts to convince the proper authority that an epidemic has begun are rewarded — the town is to be severed, totally isolated. This is a question to speculate about after we know Tarrou more thoroughly. He is relieved, you remember, when Rieux says that he will protect him. Learn more about The Plague with a detailed plot summary and plot diagram. 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